My concept of music is deeply rooted in the Greeks, Plato and Pythagoras. In spite of being the music so ethereal it penetrates even the most dense of matter. In spite of moving feelings and emotions, which is something magical, I understand it as a psychic creation that moves and structures from the four elements and the three forces of the universe. Let's see, there are three basic rhythms: Binary, ternary and quaternary (subdivisions to part), the creation also has three modes of expression: intelligence, energy and materia, and these correspond to the rhythms of music.
In turn, matter is shown in four modes: fire, air, water and earth. The instruments used are distributed in these types, taking as model an orchestra we have the metals (associated with Fire), the woods (associated with the Air), the strings (associated with Water) and the percussion (associated with the Earth).
The mixture of these instruments provides us with a complete musical sensory spectrum. Equally the elements are the basis to show a nature so varied and rich in nuances.
The enthusiasm for the first art impel me in the year 2000 to undertake a musical work and that for reasons of time I have not yet been able to finish. It is an opera, in which I try to incorporate mysticism and musical classism. It is a mix between Verdi and Wagner, picks up the melodramatic of Verdi and the metaphysical of Wagner. The script is built on a Greek fable in which I have given form and is represented in three acts with choir and dancers. An untypical quality in that musical format is that the ending ends well.
You can listen to the prelude in the video that appears on this website.
"When the elements are mixed in the creation, it is our duty to identify them as Fire-Water and Air-Earth and then reassemble them, that is when your knowledge will be infinite".